The UK indie-rockers won two Grammys for their debut album. Ahead of their second, they explain how they protected one another amid sudden fame – and how queer love and Davina McCall inspired them
Wet Leg’s Rhian Teasdale looks like a pop star from a different era. She walks into a bar in east London wearing a giant, floor-length pale-pink padded coat. She has bleached eyebrows, dip-dyed hair, drawn-on freckles and jewels stuck to her nails and teeth. For a moment, Top of the Pops could be on primetime TV and a copy of Smash Hits in my bag. But then Wet Leg’s story always did feel anachronistic. In 2021, they managed what indie bands don’t often manage any more and became an overnight success. That June, they released their first single, Chaise Longue, a deadpan, perfectly simple and cheerfully daft megahit; they conquered the US and Japan, toured arenas and topped the album charts with their scathing, self-titled debut, scoring two Brit awards and two Grammys.
They were still touring that album last summer, supporting Foo Fighters in stadiums. But eventually they found time to make a new one. Trailed by the punchy, indie-sleazy Catch These Fists, Moisturizer otherwise largely ditches their trademark death-stare sarcasm in favour of stompy but soppy love songs. Teasdale lives in London and we are meeting in person, but Hester Chambers, the band’s co-founder and lead guitarist, lives on the Isle of Wight, where Wet Leg met and formed. (Having written their debut alone, this time, they co-wrote with drummer Henry Holmes, guitarist Joshua Mobaraki and bassist Ellis Durand.) Tracking Chambers down will prove a trickier task, but more on that later.
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