The director of One to One: John & Yoko reveals how he was given access to a trove of intimate and family archive material that changes how we see the star couple
People are usually at their most interesting when they are in flux – uncertain of the way forward, of what life they ought to build. That was the case with John Lennon and Yoko Ono when they arrived in New York in 1971. They were both fleeing England – the recriminations around the Beatles breakup; the terrible misogyny and racism levelled at Ono – but also running towards the optimism and creative excitement of the New York art scene.
This is the period I have tried to recreate in my film One to One: John & Yoko – using a plethora of previously unheard phone recordings, home movies and archive. It’s an unconventional film in many ways, pitching the viewer headfirst into the life, politics and music of the time without the usual music documentary guardrails. At its heart is the One to One concert that the couple gave at Madison Square Garden in the summer of 1972 – a concert that turned out to be Lennon’s only full-length concert after leaving the Beatles.
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