A vulnerable assassin and a tech bro target: how I put a modern spin on cult 1970s thriller to make The Jackal
Screenwriter Ronan Bennett tells of his mission to adapt Frederick Forsyth’s novel for the hit TV show starring Eddie Redmayne
It started the way so many things do for screenwriters: with a call from a producer. It was three years ago, during the pandemic, and the call was from Gareth Neame, CEO of Carnival Films, who asked if I would consider adapting Frederick Forsyth’s iconic 1971 novel The Day of the Jackal for longform television. It wouldn’t be a remake, he stressed, but a contemporary reimagining.
I was flattered by the approach and that night sat down to rewatch Fred Zinnemann’s brilliant 1973 film adaptation. But when considering any offer, I always ask myself four things: is it interesting, does it feel substantial, is it a project I can bring something to? Then, will I get on with the producers?
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