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'The Winner' Review: Lessons in Ambition
In Teddy Wayne’s novel, a young man’s summer teaching tennis to the rich on Cape Cod puts him in deeper waters than he bargained for.The Wall Street Journal - World -
'Here There Are Blueberries' Review: At Leisure at Auschwitz
A powerful play by Moisés Kaufman and Amanda Gronich at New York Theatre Workshop takes its inspiration from a photo album that depicts the concentration camp’s staff relaxing and enjoying themselves in close proximity to unimaginable horror.The Wall Street Journal - World -
'Babes' Review: A Wacky Welcome to Motherhood
Ilana Glazer and Michelle Buteau star in director Pamela Adlon’s comedy about pregnancy and what comes after.The Wall Street Journal - World -
'Pilobus' Review: A Graceful Body of Work
The experimental dance troupe focused on athletic, gymnastic forms to create startling displays of what the human body can do.The Wall Street Journal - World -
'The Road to the Country' Review: To War for Biafra
Chigozie Obioma’s novel follows two brothers into the inferno of Nigeria’s civil war.The Wall Street Journal - World -
'The Infernal Machine' Review: The Language of Violence
Radicals of the early 20th century sent political messages with bullets and dynamite.The Wall Street Journal - World -
Grab Sees Generative AI Boosting Cost-Cutting Drive
Southeast Asian ride-hailing and delivery specialist Grab Holdings is using generative artificial intelligence to trim expenses and boost a cost-cutting drive in its continuing bid to achieve profitability.The Wall Street Journal - World -
Grab Sees Generative AI Boosting Cost-Cutting Drive
Southeast Asian ride-hailing and delivery specialist Grab Holdings is using generative artificial intelligence to trim expenses and boost a cost-cutting drive in its continuing bid to achieve profitability.The Wall Street Journal - Business -
Artiphon Chorda Review: A Nifty Toy for Non-Musicians
This digital fretboard is a unique standa-lone instrument and affordable intro to MIDI polyphonic expression (MPE).Wired - Tech -
'UnStuck' Review: Stuckey's, Back on the Road Again
For cheap gas, hot dogs, pecan rolls and Davy Crockett hats, Stuckey’s was a familiar waystation on midcentury car trips. Can it be revived?The Wall Street Journal - World -
'Audra McDonald at the London Palladium' Review: Soprano in the Spotlight
A ‘Great Performances’ presentation on PBS features the six-time Tony winner in a concert of mostly musical-theater repertoire—much of which seems almost too easy for her elegant, classically trained voice.The Wall Street Journal - World -
'STAX: Soulsville U.S.A.' Review: Story of the Memphis Sound
This HBO documentary explores the often precarious history of the legendary label, whose artists included Booker T. & the M.G.s, Otis Redding and Isaac Hayes.The Wall Street Journal - World -
'IF' Review: John Krasinski's Cloying Kids' Movie
The actor-director tells a story about imaginary friends in his film starring Ryan Reynolds and featuring the voices of Steve Carell, Emily Blunt, George Clooney and others.The Wall Street Journal - World - Entertainment -
'Back to Black' Review: Amy Winehouse's Songs and Struggles
Marisa Abela plays the Grammy-winning British singer in this vivid, pain-filled biopic directed by Sam Taylor-Johnson.The Wall Street Journal - World -
Crow Country Review - Old School Horror
Crow Country is coated in a murky green veneer that gives the impression you're playing it on a grainy CRT TV in one of your friend's bedrooms back in 1996. The polygonal figure of its protagonist, Special Agent Mara Forest, with her visible ...GameSpot - Tech -
Megalopolis review – Coppola’s passion project is megabloated and megaboring
Cannes film festivalFrancis Ford Coppola’s question – can the US empire last forever? – may be valid but flashes of humour cannot rescue this conspiracy thriller from awful acting and dull effects. Everyone who loves cinema owes Francis Ford ...The Guardian - World -
Francis Ford Coppola debuts 'Megalopolis' in Cannes, and the reviews are in
Francis Ford Coppola on Thursday premiered his self-financed opus “Megalopolis” at the Cannes Film Festival, unveiling a wildly ambitious passion project the 85-year-old director has been pondering for decadesABC News - Entertainment -
Rave reviews for 'bold, brilliant' Billie Eilish
Critics call the album "explicit, sapphic and her best work yet", plus "confident and non-conformist".BBC News - Top stories